Tunisian Journalist Adnen Chaouachi glanced upon Paide and this year’s Opinion Festival through the tiny screen of his iPhone. Take a look at what Chaouachi got to experience!

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The growing number of Erasmus courses offered by Estonian universities is also helping to change the complexion of Estonia. How are foreigners finding life in Estonia, and how good are relations with local people? This was one of the questions considered by the talk on Saturday, ‘Do Non-Native Residents Feel Like Hosts or Guests?’, presented by Estonian World and the Estonia 100 Celebration team.

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Photo: Kärt Vajakas

There are moments when debate feels like luxury. Nowhere did this seem to be more the case than when sat on a bunch of haystacks-turned-sofas in the afternoon sun in Paide, listening to a discussion on motherhood across the world. Considering that in many countries there is still little choice or discussion about whether to be or not be a mother, the NGO Mondo-organised panel felt almost outer-worldly.

Why is motherhood, experienced by nearly half of the world’s population at some point in their lives, still a contested issue? How do concepts of maternity differ from culture to culture? Could a globally-minded approach to motherhood be key to solving other global development issues?

The debate, entitled “Motherhood: a burden or a privilege?”, saw speakers from Afganistan, Finland, Somalia and Norway try to crack how to make motherhood a more fulfilling experience across cultures.

While there were no Estonian speakers in the panel, it felt highly timely to listen to a debate on motherhood at a time when the Estonian Ministry of Social Affairs is proposing an elongated parenthood leave, stretching the current period of 1,5 years to 3 years. This is a world removed from the discussion’s opening remarks by Zahra Akbari, an Afghan midwife now living in Estonia. Akbari, who has delivered 6000 babies into the world, noted that in a country torn by war and conflict, any desire to become a mother is always shaded by the constant fear for safety. In such an unstable environment, questions of family planning simply cannot exist in a way similar to the Nordics or even Estonia.

The above thought was later built upon by Wali Hashi, a Finnish-Somalian journalist, suggesting that differences in political and economic system of a country determine motherhood more than any specific cultural beliefs. Even so, cultural relativity must remain part of the discussion in global development goals around motherhood. As noted by Gro Lindstad, heading the Norway-based FOKUS (Forum for Women and Development), actions to ensure sexual reproduction rights on a global scale are tied up with post-colonialism and can face lash-back if Western values are imposed too rigidly.   

Increasing women’s economic self-sufficiency is at the heart of giving women the choice to become, or not to become, mothers. The panelists scrutinised the Bangladesh micro-loan example which has allowed more women to make their own living. As a result, fertility figures in the country, once among the highest in the world, have dropped rapidly. Could a social innovation scheme across developing economies be part of a solution?

It is easy to invent master plans for world peace and equality, but implementation can be tricky. Tapping into the problematic of global ambitions and local realities, I was struck by one question by an audience member: ”How to develop a global solution rather than localised solutions?”. For Lindstad, this is something addressed in the UN’s seven new sustainable development goals. Rather than placing responsibility on certain developed economies, tainted by the spectre of post-colonialism, Lindstad opined the new goals mean that “all of us are accountable.” As for an integrated solution, comprehensive sexual education across cultures could be the answer.

Yet, as with any debate, and particularly with global development, there are no easy answers. Zainab Homam from the London-based organisation Afghan Action stressed the difficulty of bringing sexual education to her country of origin Afganistan, which could take many years before it is publicly accepted. Instead, she suggested that the emphasis should be on individual parents, rather than state or global organisations, who can teach their children about reproduction in accordance with social mores. 

But there is a global medium already shaping understandings about motherhood: social media. An increasing part of the global population now has access to mobile phones, and this number is only set to rise, particularly across developing economies. Is this what will make motherhood into a more uniform experience globally? While I ultimately remain sceptical on whether social media is the saving grace, it may indeed alleviate some of the issues around cross-cultural sexual education. Thinking about motherhood on a prickly haystack in Paide was great, but we need new versatile mediums to truly make this into a global conversation.

The panel was sponsored by the Nordic Embassies in Estonia.

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‘What Can We Do For World Peace?’ is possibly the biggest question on the planet, and at the Opinion Festival on Saturday morning, an intrepid group of academics, educators and activists attempted to answer it.

Although it is fair to say that, over the course of 90 minutes, it was not possible to reach a consensus on how to achieve world peace, or even if it is possible, the most interesting part of the discussion was, as is often the case in such theoretical talks, the individual stories of the speakers.

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Photo: Anna Markova

Robots are advancing and they are hungry for our jobs. While the narrative of man vs. machine is centuries-old, the advent of artificial intelligence has made it trendy to talk about work again and picture how it will look in the future — or if work will exist at all.

Little surprise, then, that one of the first discussions of this year’s Opinion Festival, exploring attitudes towards employment in Estonia, would attract a huge crowd. The discussion, moderated by Urmas Vaino, saw a panel of four explore a wide spectrum of issues related to work now and in the future, youth unemployment, responsibility, automatisation, and rural development as intrinsically tied up with employment.

As much as the daily drudgery (or joy) of work can feel like a constant, the way we work and think about work is ever evolving. This inevitability of change was acknowledged straight away, with the panelists offering their take on the biggest change in employment over the last thirty years. Needless to say, this has been a period of phenomenal change in Estonia as the country went from communism to full-blown capitalism following the restoration of independence. According to Toomas Tansar, head of the Estonian Employers’ Confederation, work used to be perceived as something singular, something everyone had to do no matter what. Attitudes towards work are now far more diverse, with more and more people deciding just how and how much they want to work. But with more flexibility comes more responsibility.

One train of thought running through the whole discussion is the need to prepare society and individuals for the changing landscape of work. Jevgeni Ossinovski, Estonia’s Minister of Health and Labour, argued that change is neither good nor bad, but boils down to society’s level of preparation. The introduction of self-service machines to supermarkets, for example, is part of the process of automatisation, and can ultimately free up citizens to do more creative, more fulfilling jobs. “A person’s work life ought to be fruitful and offer satisfaction to those who work,” suggested Ossinovski.

For Peep Peterson, who represents trade unions, this responsibility to prepare and reconsider is not merely societal but personal. It is “essential to rewire yourself” and be agile. However, Peterson stressed that the choice where and how to work remains a privilege for certain fractions of society. On the flip side of privilege is what Meelis Paavel, manager of Eesti Töötukassa, suggests is a more “fun”-centric approach to work, particularly among younger people entering the workforce. Paavel has increasingly encountered the attitude whereby “work should not interfere with life”, that is, workers desire less dependability on their employers and crave more freedom.

This desire for freedom and flexibility sits uneasily with Estonia’s youth unemployment: currently 39,000 young people neither work nor study. Low-paid jobs remain vacant while, as Ossinovski pointed out, the interest to work even summer jobs is on the wane. If the education system does not ramp up entrepreneurial education or vocational learning that does not ignore the looming spectre of automation, it is not nurturing the employees future economic models will desperately need. This situation intensifies in rural areas where opportunities are more sparse. Toomas Tansar argued that rather than forcing industry and vocations to rural areas, rethinking workforce mobility to urban hubs could be the solution.

Tansar also urged a poignant word of caution when acting on the changing face of work, either as state or employer. The transition to a smart, knowledge-based economic system cannot simply be willed into existence: “Let’s just do away with easy jobs and then somehow, more of those smart jobs will follow. But where will they come from?” This question, in essence global, needs to co-exist with more local and transient considerations, such as battling unemployment in former industrial powerhouses such as Ida-Virumaa or youth demotivation. 

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Why do so many countries want to be like Nordic countries? Are they really as “happy” as they seem? Can Estonia ever be a Nordic country? These were some of the questions considered by the panel at the Opinion Festival’s talk, ‘How Strong Are the Nordic Countries? Strong Enough to Be Happy?!’ (punctuation as written in the brochure) which took place on Friday afternoon and was organised in association with the Norden Nordic Council of Ministers.

Helen Russell is a freelance journalist whose book, Living Danishly, describes the many social and cultural adaptations that have to be made by a British immigrant to the place ranked by the United Nations as the happiest in the world. Moderator Villu Arak asked why there was such an appetite in Denmark for dark, noirish crime fiction. Russell replied that it was possibly because life was comfortable enough to want to read or see a struggle. “There’s definitely something to be said for taking things for granted.” She then turned to the topic of what makes Denmark special to international workers.

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The official Opinion Festival brochure says that when we think of the Netherlands we think of tulips and windmills, but for others, the Low Country means philosophical footballers, excellent flood defences and a – cough – liberal attitude towards what someone may or may not be smoking. But there is a tradition of this small nation, which was once a merchant shipping hub for the world, exporting new solutions to civic and political problems, and it was one way of doing so, the polder model, which was discussed on Friday afternoon in the talk “How to Make Consensus-Based Decisions: Dutch Polder Brunch”.

According to Wikipedia, “the polder model is consensus decision-making, based on the acclaimed Dutch version of consensus-based economic and social policy making in the 1980s and 1990s.” Wim Kok, who was Dutch Prime Minister during the economic boom-time of 1994 to 2002, supported the polder model, or his version of it, as a way of ensuring that all voices be heard in a process of decision-making.

Things have changed, some would say for the worse, since Kok’s time at the head of his government. The far right is building its share of the vote in the Netherlands, Estonia and many other parts of Europe, and the idea that consensus can be found on any issue just by talking it over now seems less of a certainty than it once was.

Peter Kentie, a Dutchman from Rotterdam living at the moment in Tallinn, talked about the rebranding of Estonia, with Visit Estonia now using slogans like “ESTonishing”, alongside a new logo. “It’s not about the logo, it’s about passions. You can’t have it that someone from the ministry comes to someone and gives someone the task to do the design, the ministry should team up with the stakeholders in Estonia, and together create the brief and together be responsible for the result.”

Sometimes, Kentie argued, it matters how people collaborate, not just who collaborates. “If the person giving the brief is sitting next to you, rather than just being the one who gives the money, that makes the difference. It’s better to have that discussion in the room, than in a newspaper.”

When asked by moderator Annika Uudelepp how he would attract Asian, or international, talent in greater numbers to Estonia, Kentie said that perhaps the problem should be viewed differently. “I think maybe, as a first priority, talent should not be coming, maybe the priority should be exporting to the rest of the world.”

“There are qualities here that aren’t yet fully-known to other countries. You really have to communicate those qualities to the rest of the world. If you do that, then maybe people [in other countries] will think ‘I can contribute something there in the future.’ The ‘Skype Mafia’ shows that you have all these young people who use the digital world in a disruptive way, and that’s the important thing, to disrupt. If others go left, you should go right, and if you get that mentality right, people will come to you. You have to first tell the world you’re really open to that, and communicate to the rest of the world that you’re there.”

One example of increased civic activism in Estonia has been evident over the proposed development of Kalarand in Tallinn. Local groups ensured that they had a say in the planning of a new development on the promenade, and ensured the current beach would remain in place, but only after the developers, with the apparent backing of local government for their building plans, tried to sue a local activist to bring in a gagging order.

“In the Netherlands,” said panellist and Dutch Ambassador to Estonia Jos Schellaars, “we also have property developers who are very keen on acquiring areas on which they can build. But then there is a process of permission. Even after the permission is given, I think in the Netherlands protesters have a louder voice. The discussion process, I think, is much longer. Voices are louder and better-heard.”

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The Opinion Festival has, as one of its aims, to create an atmosphere that is good for open discussion, but how much do we actually want, or need this? Is this kind of debate a peacetime luxury, in a time when it often feels like war, or at least some bigger conflict, is pending?

During the aftermath of the recent referendum that saw Britain vote to leave the European Union, there was a lot of discussion about the different choices faced by the UK and the rest of Europe in the future. The vote, which took most of the political elite by surprise and was greeted with a sense of joy by some and impending doom by others, threw individuals and political parties into a period of extended soul-searching, from which they have not yet emerged.

What was particularly interesting was what it meant for the future of debate. We take it for granted today that we will be given time and space to discuss openly solutions to problems. However there is a growing feeling that the way in which we conduct debate is changing. The Donald Trump campaign in the United States, the refugee crisis in Europe, and discussions on how many displaced people Estonia will take, have all been conducted in an increasingly bellicose manner. The manner of debate seems to be similar to that shown in this video (apologies for linking to an RT post, but it shows what I mean).

This all begs the question, although many of us like to philosophise about the best way of organising ourselves, does this mean that modern culture and government can do so? We have seen, with the acceptance of political “spin” as a necessary tool for most governments, distrust in elites rise. This appears to be at least part of the reason for the rise of Trump, and for Brexit. It’s created a situation where it doesn’t take many points in a conversation on something like Twitter, for example, for one side or both sides to start exhibiting anger.

Essentially, a Twitter conversation in 2016 goes like this:

• Person One: I’m being deliberately provocative, but I’m obviously right, because the person in [this link] agrees with me.
• Person Two: Really? I don’t agree with all of what you just said. Here is another [link] that I feel proves my argument is right.
• Person One: What gives you the right to argue against my point? Check your privilege. You must be a misogynist, or a conservative, or most likely both.
• Person Two: I have every right to exist in this world, but you are the whole reason why the global system is going down the toilet. And you’re ugly.

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In addition, an eye-opening value game and exciting experiment are taking place. Also there is an opportunity to experience the virtual reality of refugee camp in Jordan.

All Migration Area panel discussions are translated simultaneously into English.

AGENDA

10.00-18.00 Virtual reality “Clouds over Sidra” (Organizer: Estonian Refugee Council/UNHCR)
Meet Sidra. This charming 12-year-old girl will guide you through her temporary home: Za’atari Refugee Camp in Jordan. Za’atari is home to 130,000 Syrians fleeing violence and war, and children make up half the camp’s population.

10:00-11:30 „Discovering Values“ (Tartu University Centre for Ethics/Estonian Refugee Council)
The game „Discovering Values“ combines an entertaining format with a serious content that supports the development of one’s value clarification, argumentation ability and empathy. The game is meant to facilitate discussion with the aim of forming, formulating and defending a personal position, with no right or wrong solutions.
Moderator: Mari-Liis Nummert

12.00-13.00 Why are they coming here, to fight on our yard?* (Organizer: Estonian Atlantic Treaty Association)
The migration crisis and refugee problems are discussed through mass media often in a way that anger and fear are following. What is actually going on and what kinds of threats are out there in sense of migration? The discussion is held in perspective of security and collective defense.
Panelists: Hanno Pevkur, Uku Särekanno and Anni Säär
Moderator: Mart Nutt

13.30-15.00 Migration crisis?! No panic, please! (Organizer: Ministry of the Interior)
In recent years, discussions about the migration crisis have dominated Estonian public sphere. Statistics show that there is no mass immigration into Estonia – there are no migrant flows targeting us. But how could we explain then this sense of crisis in Estonia?
Panelists: Mari-Liis Jakobson, Eero Janson, Tiit Tammaru and Raivo Vare
Moderator: Marju Lauristin

15.30-16.45 Immigrant – are you a ghost or a human?* (Organizer: Ministry of the Interior)
Surveys are showing that Estonians are not that open-minded towards immigrants and often have certain prejudices particularly towards those with different ethnic background. At the panel, an experiment is going to take place where the audience can have their say in this matter and the mechanisms of development of beliefs and attitudes are discussed by experts in the field.
Panelists: Karmen Maikalu, Aune Valk and David Vseviov
Moderator: Tarmo Jüristo

17.15-18.30 Estonians living abroad: Brains lost or Estonian ambassadors in the world? (Organizer: European Migration Network/Tallinn University)
From when Estonia regained its independence 25 years ago, more people have left the country than moved here to contribute in Estonia’s social and economic wellbeing. The country needs to promote immigration of foreign specialists as well as to work on its diaspora engagement policies and thats what this panel discusses.
Panelists: Peter Gornischeff, Piret Kärtner, Ave Lauren and Tõnu Pekk
Moderator: Marion Pajumets

*quotes from famous Estonian movies

The Migration Area is organised by Estonian Refugee Council, Estonian Atlantic Treaty Association, European Migration Network/University of Tallinn, Ülemiste City, Tartu University Centre for Ethics and Ministry of the Interior, Government Office.

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The soundwaves of the Opinion Festival create a musical bridge between Aruküla, Gothenburg and Tartu

This year the culture programme of the word-rock festival held in Paide in August wanders along psychedelic and jazzy paths instead of rock music. Filling the Festival Club with sounds is the responsibility of Tartu’s multicultural Genialistide Klubi in cooperation with Möku. Their joint programme attracts audiences with both superb DJs and young rappers.

If you want to escape the discussions for a bit, you can pop into the festival club where you can enjoy the sounds of the hissing old vinyl from the Melodija label, pulsating beats from the Balkans, the best estrada pieces of the Eastern block and the soft breeze of yacht rock.

The keyword of Friday night’s official programme is “Youth”. At the festival club, you can enjoy the performance of 15-year-old rapper EIXD from Aruküla, whose lyrics tackle social issues and may even bring additional thoughts to some of the topics debated at the discussions. Then, Liis Ring aka Cirkl who is studying music and sound production in Gothenburg takes stage with her dreamy indie-pop, a hovering cross between jazz and classical music. To finish off the first day you can listen to playful improvisations by Edmund Hõbe, a multi-instrumentalist from Tartu.

Saturday is all about psychedelic sounds and vinyl. Once the last discussions have ended, Berk Vaher, a multi-talent with an odd taste in music, and Ahto Külvet, a vinyl enthusiast who gets excited by the products of weird-looking record labels, invite you to the first ever Psycho Disco in Paide. The audience will be welcomed by the colourful world of analogue music with repertoire expanding from Kazakhstan to Latvia and from Brazil to Poland. The motto of Psycho Disco is simple − we are all equal before the Moog keyboard!

Translated to English by Piret Raudsepp.

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What are the benefits of Paide being the festival site?

Firstly, we are located in the centre of Estonia so that it’s easily accessible for everyone. Another big advantage is that the town is small and compact. At first, the festival took place only in Vallimägi, which holds many people. Now we have also expanded to the centre, which is actually only a few steps away from Vallimägi. Various themed areas, accommodation places and an opportunity to get to know the town − they’re all close at hand.

Paide already has several years of experience of hosting the Festival. What are the important things to remember when hosting an event this big?

The most important thing is the community and making sure of a smooth cooperation. With these things, you could organise the Opinion Festival anywhere. Any undertaking of this size always relies on people. Therefore, it’s really great that there are so many volunteers who are trying their hardest and are willing to give one hundred per cent regardless of their family and work obligations to make this festival happen. Many of the volunteers are actually from here and every year after the festival they all come together and start planning the next year at once.

What are the festival’s benefits to your town?

The fact that the festival takes place in Paide is a really big gift for us, no kidding. Many people hadn’t been to Paide before or they didn’t have a reason to come here, but thanks to the Opinion Festival lots of people have now discovered our town. Even during those couple of days, it’s good to see young families taking an interest in the abandoned houses of the old town and saying that this place has the right atmosphere that they need to settle down.

Of course, another great thing is that local companies − namely restaurants and shops − earn more money during this weekend than maybe for the entire year.

The festival is also a starting point to many great ideas, many of which have been brought to life right here in Paide or in Järvamaa. For example, last year we had an idea to establish Paide’s own city theatre. We have found some young people from the drama school and they are trying to figure out how to start, what the theatre is going to be like, what the benefits would be for the community; how it would educate kids and so on. We commenced a huge project last year. Paide’s city theatre will be established in 2017 and it will start work in 2018.

Have you had any unexpected obstacles or surprises along the way?

There are always minor bumps on the road, that’s inevitable. It could be anything related to electric power, internet connection, garbage collection or whatever. But everything can be solved. Luckily, we haven’t had any major mishaps and each year we get smarter.

What is different this year?

For example, I know that last year we had some problems with getting access to Vallimägi for disabled people, but this is definitely being organised better this year.

Do you have any wise words for other towns and cities to motivate them to be as brave as you and organise big events like this one?

You have to think big. You can’t be afraid of impossible ideas, you have to put your faith in them and give people a chance to act. It will repay you a hundredfold!

Why do you recommend people to come to the Opinion Festival this summer?

This is a difficult question because I have taken part every year and I wouldn’t even know otherwise. It’s not easy to point out something specific because I believe that there’s something for everyone.

The festival has evolved so fast and it is downright terrifying, in a good way, to think about the future. There are so many discussion stages that there can never be a moment when you don’t have anything interesting to listen to.

Discussing important subjects in the open air creates new ideas and may make you see some things in a different light. Nobody can possibly think all the time, so from time to time you can just ponder on your own or spend quality time with other people.

The positive emotions of the festival last for a long time and once you’ve run out of those, you can start looking forward to the next edition!

Interviewed by Maarja-Liis Mölder.
Translated to English by Piret Raudsepp.

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And so, one fine day I found myself in the Opinion Festival’s Communications team, informing readers about all kinds of exciting discussion topics, people and events that together form the Opinion Festival. It was a fun time. I could make my contribution to one of the coolest events in Estonia by writing up stories and doing interviews over the whole summer. Whether at 6 am on the coach to Tartu or fending off flies in the afternoon sun on Saaremaa, I could help with putting together the big picture of the festival by writing pieces on the festival blog.

And then came August and the festival. I remember sitting in the Opinion Festival’s Press Centre finalising another one of my pre-festival articles and through the open window, I could hear people adjusting the mics all over the place and the tech guys making a racket on the balconies while installing the internet. Excitement and thrill filled the air − just like prior to a birthday party when the table is already set but the guests haven’t arrived yet. We weren’t able to enjoy that peace and quiet for too long though, because the guests began to arrive. Thousands of them. Eight, nine, ten thousand people gathered in Paide to take part in the festival’s discussions.

Yes, these two festival days were rather mental and now when I think about them, I remember the ceaseless chatter, sitting on the grass with my legs crossed and the keyboard, which I was devotedly tapping for 12 hours on a trot. Down the stairs to the discussions and up the stairs to write. Down the stairs to the discussions and… Until all of a sudden it was the evening of the second day and I found myself sitting on the ground and braiding grass rings; the dark and soft August night was flowing past me with its overheard conversations, gales of laughter and good ideas. I was thinking to myself, “Wow! So cool!” And that feeling has stayed with me ever since. And that’s exactly why three months later I sent another email saying that I wanted to help out and work on the Opinion Festival in 2016 as well. This year the festival will be even bigger, even more diverse and even more fun. That’s why the team and I are already in full swing to make the festival happen. There are many great, fun and exciting things on the way. So stay tuned and see you all in Paide!

Written by Jakob Rosin.
Translated to English by Piret Raudsepp.

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We listened and spoke up, we danced and laughed (to the beat of 90s music, no less), we connected… the Arvamusfestival may be over for this year, but it certainly will not rest and keep still, thanks to the sheer enthusiasm, ideas and collaborations it sparked.

The third Arvamusfestival ended on a high note on Saturday evening. The final debate of the festival invited all six leaders of the Estonian parties currently in parliament (with Kadri Simson standing in for Edgar Savisaar, leader of the Centre Party) to share their vision and common goals beyond the nitty-gritty and quibbles of everyday politics. Fitting in with the several events at this year’s festival searching for a ‘story of the future’ for Estonia, the party leaders were asked to share their idea about what Estonia could and should stand for and look like by 2040.

To add a light twist to the weightier questions at the debate and the festival at large, stand-up group Fopaa! completed the programme on Vallimägi with astute jokes about whales, the meaning of ‘normal’, and new loanwords for ending a phone conversation. The night, and festival, drifted to a playful and sweaty end on Paide’s central square with the ever-popular Theatre NO99’s ‘Dance Camp’ where participants danced away to moves inspired by music videos from the lycra-loving 80s and 90s.

This year, the Arvamusfestival grew by leaps and bounds in every sense of the expression. It brought together an unprecedented 10,000 people and more over two days; by comparison, last year’s festival welcomed 4,200 people in total. Meanwhile, the programme, comprising an impressive 224 discussions on a vast range of socially relevant topics, was the result of a successful collaboration with various public institutions, NGOs and private enterprises. This was also the first year that Paide’s central square became a festival location, acting, among other things, as a hotspot for home cafés and a graffiti competition.

So, what made this weekend special, and why is the Arvamusfestival a very different and necessary kind of offering amongst the plethora of summer events taking place in Estonia?

As a first-time participant of the festival myself, I felt at complete ease from the second I visited Paide Vallimägi and witnessed the festival area for the first time. While, truth be told, that was partly to do with my love for eco-centric design, hammocks and all things cosy, I was also struck by how the divers discussion areas, all shaped differently and hosting often very different discussions, all came together in the spirit of the festival’s belief in discussing and sharing opinions.

To give you a sense of the mind-boggling number of topics just one participant can encounter in two days, here is a short list of the discussions I managed to attend, in no particular order: refugee policy in Estonia and Europe, the utility of start-ups for Estonia, urban space and new urban landmarks, ‘a year after Crimea’ and the state of European defense policy, the oft-mythical and harmful connection between alcohol and culture, apps and Estonian small businesses, animal rights in a human-centred society, the debate between party leaders. This did not even scratch the surface of the discussions taking place nor does it include the cafés visited, the people and dogs spoken to, the cultural events attended. With so much going on from Friday morning onwards, it felt like I had always been a part of the festival, and this feeling only grew as the Arvamusfestival went on.

But mostly, I was inspired by the people at the Arvamusfestival. The seven hundred participants in the discussion panels, the thousands of participants in the audience, and the three hundred festival volunteers. The Arvamusfestival involves everyone in discussing, questioning and acting on topics close to Estonia and Europe – and the thoughtful way the discussions were run, the abundance of constructive questions and the lack of any awkward silences (…and this in a country that often feels like the birthplace of the awkward silence) showed that a place for healthy discussion matters, and that active citizenship is no longer a thing of dreams, but alive and rather well in Estonia.

Thank you, and see you again (or for the first time) next August!

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The honeycomb ceiling kept the audience warm and sheltered, and although each piece was made from cardboard boxes, they were reinforced with waterproof, insulating material which is often used for packing computers.

The result was a spot that felt uniquely-attuned to great debate, and was a credit to the ingenious third-year EKA students, who have set down a marker for their successors who will design the stand for next year’s Arvamus Festival.

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When I was at school in the 1990s, many teenagers would talk about their summer trips to Ibiza or Ayia Napa, which were a fortnight’s blur of clubbing, alcohol abuse, and possibly a lot more. This was the era of the superclub, Cream and the Ministry of Sound hoovering up customers every Saturday in Liverpool and London respectively, then going on tour to the Balearic Islands to play to an audience dominated by British tourists.

I didn’t go to Ibiza with my school friends. Of course, some people were comfortable at home, like I was. But the aim of these trips was to get very, very drunk – and this wasn’t something I was interested in. I was a country boy who enjoyed reading and music – and not played at 100 decibels. I sometimes asked my parents why I wasn’t the “kind of person” who could go, but they just looked at me with that look that says, “one day, you’ll understand”.

Now, I do. It seems to me that young Estonians are growing up with so many more positive influences than my school class had. Last night, in the Must Puudel’s party for Arvamus Festival-goers, I saw happy people singing along to obscure pop tunes released in 1984 or ’85, when I was 3 or 4 years old, and they were a long way from being born. This was the kind of music I loved playing – in private, of course (I even got picked-on for buying Duran Duran, Spandau Ballet or Ultravox from the record store when I was a teenager), but now it wasn’t a source of shame for anyone. Indeed, it seemed like a badge of honour to know as much of the music as possible.

The knowledge extends to the debates, too. Young people are being thanked for their contribution, being actively praised for their knowledge of complex topics – and more and more people know more and more things, that’s something that’s obvious from asking a few questions, and hearing the different opinions expressed at the Arvamus Festival.

I never used to mind being called a “nerd” or a “geek”. Those are terms that just mean someone knows a lot about something. But what’s changed beyond recognition is the way the nerd and the geek are now seen as the intelligent, well-rounded people they always were.

So how about it, are we getting smarter by generation? That, like everything else here, is a matter of debate. All I know is, I wish I’d been given this festival when I was 20 or 21. I would have loved every minute, just like I do now.

The post The Arvamus Festival and Why We’re Getting Smarter appeared first on Arvamusfestival 2016.

Note: this is not Muki who preferred to remain unphotographed. Photo: Kärt Vajakas

When I set foot in the official ‘pooch park’ of the festival, I found two festival volunteers ready to attend to dogs wanting to rest from the hustle and bustle of the festival… but no dogs. Where were all the dogs? At the festival, of course! I spoke to Muki (or well, his owner), a charismatic but camera-shy creature attending both days of the festival. As Muki prefers the company of people to other dogs, he chose to experience the festival proper all through the two days. Muki is not the only one too excited about the festival to take a breather – the dogs participating in the festival are often present at the discussions themselves or strolling around the tiny lanes and paths around Vallimägi and town centre.

What kinds of dogs have found their way to the festival, and what are they looking for?*

The Dedicated Fan

 If you can’t already tell by the stern look, this dog means serious business, and is here to soak up on all the discussions have to offer. I spotted their motley fluffy coat at several discussions about start-ups. While thinking big thoughts, is sure to impress everyone around – but they are too focused to notice that they are making a fuss.

The First-Timer

The First-Timer is very excited to be at the Arvamusfestival, and though it is their first time here, they are certain to return again next year… and the one after the next, and the one after that. In fact, they are so excited about everything happening that they hardly make it to any discussions. Because there is so much to explore, so much to grasp, so many friends to see, to even think about standing still! And they love every bit of it.

The Chill Dog

They love the ambience in Paide and make good use of the hammocks dotted around the festival area. This is also a great way to mingle with friends old and new, and soak up the discussions from a reclined position and with a relaxed mind. Let ideas drift through you and truly feel the festival.

The Adventure Seeker

Although there are well over 200 discussions taking place at the festival, they seem to have attended a good quarter of them. And the morning yoga. And the Black Poodle party last night (but that one mainly to see why it was named after poodles when smaller dogs are obviously the better breed). There is no way to explain it: some dogs simply manage to do everything.

The Hipster

Alright, this goat is technically not a dog, but they like to be the face of ‘different’, even among the fourlegged kind attending the festival. They represent the new directions the festival is taking. Just like the festival welcomes a true mix of people, the animal scene shows just how colourful and vibrant the Arvamusfestival 2015 is.

*Please note that these are the mere speculations of the author of the piece, and do not represent the personalities of the individual dogs depicted .

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For €8, it’s a premium price, but the burger, which came to me after only five minutes, was tender, broad and substantial. Served on a plate (rather than horizontally in paper as is usually favoured by Estonian convenience stalls), and with a wooden skewer through the middle in order to hold everything together, it feels like quality when you take it.

The mayonnaise and red onion chutney go well together, and the brown granary flat bun is a nice touch, though I always prefer it when burger places slightly toast them. However, the big X-factor of this burger was the makers’ use of smoked cheese in place of the usual processed strip – a variation on the theme that made the burger taste classy. Sticking with the upmarket theme, this is definitely a meal for picking apart, not picking up, hence why knives and forks are supplied.

If, like me, you craved a meat fix after a long day on the Festival tracks, the hamburger is something you will not be disappointed with. Head down to the food court and see what we mean.

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The Arvamus Festival isn’t only about the topics that make us ponder deeply about our existence. It’s also about the things that make us laugh, that make us joyful. On the Ekspress Meedia stage, a group of Estonian performers got together to ask, “Is stand-up the new Estonian theatre?”

There were differing views on the matter, and of course there was mention of the increasing popularity of stand-up comedy, that form of performance where, usually, one person stands on a stage and speaks directly to the audience in an attempt to make them laugh.

After the discussion, we met up with Estonian producer and performer Karl Kermes, who had been one of the panel, to get his view on the topic. He was frank about where Estonian comedy stood at the moment. “I think we don’t have a stand-up culture. It’s coming, but it’s not there yet,” Kermes explained, citing the fact that audience trends are different in Estonia to those traditional hot-spots of stand-up, the UK and USA.

“If we speak about stand-up from different languages [and cultures], I personally think, for an Estonian mainstream theatre audience, that kind of raw stand-up in pubs and clubs is not something they’re taking. It’s a great theatre-loving country. I’m working to build up stand-up shows that last one to two hours, for example like what Eddie Izzard is doing.”

Estonian comedy has always existed, but in different forms, the producer explained. “We have this problem that most of the comedians we put on the stage have graduated from Estonian drama school, then have been working in different theatres, in different roles. Now you’re asking them to come on stage and speak as themselves, with their own ideas, and I’ve found out it’s very difficult to them.” There has, he feels, been a general trend towards Estonian performers preferring to hide behind a role. “Somehow [the show] turns into a play, not a stand-up, in the end. That’s why I’m saying that at the moment, we don’t have Estonian stand-up.”

We asked if the reason for that was because of the way young people were brought up in the school system in Estonia, which has not always encouraged play or creativity in the way other systems have. “It can be;” Kermes said, “if you look at our history, where we are coming from, the time has been very short. I think also the new, young actors that are coming from drama school are thinking differently to the older, well-known comedians. So I think things will change, but it takes time.”

On another topic, Kermes was quick to name his favourite comedian. “Eddie Izzard. The main reason, or let’s say subconscious reason, is he was the first show I looked at on YouTube, and he’s great – he’s doing it so fluently, and I just love him.”

The enormous popularity of Irish comedian Dylan Moran, who sold out his November stand-up show in Tallinn within hours of tickets being released online, is heartening for those who loved him as an actor in the sitcoms ‘Black Books’ and ‘How Do You Want Me?’. Moran appears to share a special bond with Estonian audiences, and there is evidence the feeling is reciprocal. “The first time Dylan came to Estonia, it was surprising how quickly he sold out [of tickets], and it was so good, and I think it’s great to see, but I can’t put my finger on the reasons,” Kermes concluded.

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To make it, and you, feel even more glorious, here are three reasons why Paide is the place to be this morning:

1. Chance to take a moment.

This is a festival that is in constant movement as new areas and home cafés spring up while old areas feel transformed with every new discussion. To allow for peaceful thoughts to happen, yoga at 7:30 in the Mäeala (or the Hill Area) offered participants a chance to wake up with the Sun Salutation and slowly stretch their body into high spirits. For those of us who were not such early birds, the Festival offered Minutes of Silence, a trip into your body and breathing through exercises at mindfulness. Keeping that feeling of calm with us as we entered another day of exciting thoughts, we followed the mantra from one participant: ‘I am going to have a brilliant day’.

2. New friends from unexpected places.

Although there are no inhabitable houses on the Paide Vallimägi, that does not mean there is a shortage of residents eager to meet you here from the moment you found yourself at the festival area this morning. There is a family of storks keeping an eager lookout atop some old ruins just next to the café area. Do not fear their watchful gaze and take pleasure in their comforting local presence. You can also make new (human) friends from 11:00 to 13:00 at the Mäeala (Hill Area) which transforms into the ‘Meeting Place.’

3. Awesome talks straight from the morning.

As the festival means business (that is, opinion business), we were off to a passionate and thoughtful start with the MEP discussion about the European Union’s policy towards Russia, contemplating the possibility of co-operation with Russia. Other discussions welcomed eager participants from 10:00 onwards, to think about topics of all shapes and sizes, from measuring the pulse and blood pressure of active citizenship in the Voluntary Sector Growth area to contemplating the meaning and level of digital poisoning in the Digital Education area.

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The Festival of Opinion Culture has dedicated several themes and discussion areas to technological innovation, with several of these taking a long hard look at the wider socioeconomic effects of start-ups on other industries, jobs and regulations. The phrasing of two such discussions, ‘What’s the Use of Start-Ups to Estonia? in the Enterprise Area and ‘Are Apps Devouring Estonian Small Businesses?’ in the Postimees Area, both bring negative, or at least sceptical, viewpoints to the spotlight. For a country that promotes itself with a photo of a young woman surfing the internet while sitting on a haystack, this could be a healthy signal that we are getting away from a blind admiration of tech specs and savvy marketing slogans to actually engaging with the close connection between our tech scene and society.

In the Enterprise Area, the focus was on the viability of start-ups for Estonian enterprise culture at large. What is a start-up – and why does it need or want to be called one? Are start-ups solving problems that call for urgent attention, or are they too infatuated by their own ideas and make up problems to suit their needs, as suggested by one of the participants, Margus Uudam? Scepticism aside, one take-away from the discussion was that start-ups are delicate creatures, masterminded and developed by ambitious people, but they do not necessarily need to make a profit to be useful for Estonian economy.

Although named even more provocatively than the previous offering, the overall consensus at the discussion in the Postimees Area was equally positive, bringing the discussion back again and again to ‘customer experience.’ This seemed to be less from a love of marketing jargon than a genuine belief that apps have revolutionised traditional industries such as transport and hospitality in the name of consumer comfort and availability. As Kadri Hansalu from Postimees noted, ‘But at the end of the day, someone must bring about such change in any case.’

However, the newly adopted creed of start-ups, that ‘customer is king’, was not given such an easy pass by all involved. Are start-ups like Uber and Booking.com middlemen that take income and control away from actual service providers, increasingly reliant on customer ratings rather than accredited regulators? Do they merely make service less controlled and safe? Then there is the issue of market specificity – Verni Loodma, representing Hotell London in Tartu, suggested that ever-powerful apps such as Booking.com are often far removed from the many markets they operate in, particularly in the case of small countries like Estonia. Not knowing the market context can in turn lead to factual errors in the app’s descriptions and comparative methods that may harm the popularity of a given hotel. Service providers are left stranded as the process of getting things fixed is often unacceptably slow.

Having said that, the pressure to get better reviews can be conducive to becoming better at what you do, raising the bar for the industry in general. One thought that echoed throughout the discussion was that a ratings culture works to empower ordinary customers, an update perhaps long overdue.

Enn Metsar from Uber emphasised how important scale is for start-ups: to create a great app, one needs resources and a global market to support further development. In a similar vein, Tõnu Runnel from voog.com summed this up with a jocoserious statement: ‘You can’t make an app in the same way as a chicken hatches an egg.’ And if innovation wants to happen and customers support it, society will need to follow and regulate it in hindsight.

This realisation guided the discussion as Kadri Hansalu emphasised that ‘innovation is in our blood.’ Generation Y is more attuned to the necessity and reality of change, which makes the streamlined but often more personalised customer experience offered by apps appear as a natural and positive development. While Verni Loodma remained convinced that certain customers will always prefer the comforts of a hotel to new app-enabled services such as Airbnb, the effect of a generational difference on how we like – and more importantly, will like – certain services remained largely unexplored.

Are innovation and their stronghold of supporters simply waiting for all the nay-sayers to catch up? As Tõnu Runnel strikingly put it, while certain popular start-ups may feel like the future now, they will inevitably change and fade with time: ‘Monopolies spring up, grow, and die.’ So, even as we think if we should embrace or fear the start-ups of today, whether as individuals or governments, innovation and change are ongoing and will all the same take us to unexpected places.

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With a speaking area for every taste, the Arvamus Festival has thrown up some interesting debates, on every part of Estonian public (and private) life. The discussion on the need for a Russian-language TV channel in Estonia continues to be heard, and I attended the debate run by Keskerakond (the Centre Party), which held a discussion of its representatives’ views on the matter.

With questions often heated, as they regularly are when it comes to Estonian politics, it was interesting to see the public being given an open forum on which to question elected politicians, and even more interesting to see how they responded. Other political parties have been holding parallel debates, including the Reform Party, the IRL and the Social Democrats, making this a fully-rounded political debate.

2. A Chance for a Charm Offensive

Estonia’s first dedicated public Russian-language television channel, begins full service in September with 20 hours a week of factual and entertainment programming. Its representatives, such as channel head Darja Saar, were answering questions from all-comers about what it meant for Estonia, and why the station had been set up.

The positive PR campaign for the service, which will produce original programming in Estonia bringing news content, along with items such as a drama series, was led by Saar and Communications Manager Anastasia Dratsova. As the Arvamus Festival is a meeting-point for all those who like to consider issues, regardless of their background or interest, it makes it the perfect place for such a charm offensive.

3. Connecting with the Heart

“It’s the heart of Estonia.” I was told this about ten times by people I questioned about what was so special about Paide. The town, which hosts the Arvamus Festival up on Vallimägi, is loved by all visitors, especially on a blazing-hot summer’s day. There seems to be a special atmosphere of togetherness hereDSCF1669, which makes it so much easier to relax, unwind and enjoy calm deliberation of the issues not just of the mind, but also of the heart.

It’s also a place where the best of Estonian culture comes to play. Tallinn’s best jazz club, Philly Joe’s, which often hosts artists of the calibre of Liisi Koikson, Holger Marjamaa and Laura and Joel Remmel, has brought a selection of great musicians to the festival. They lit up lunchtime with their smooth brand of virtuoso playing.

4. Connecting with the Stomach

While listening to the music from Philly Joe’s, I sampled some of the excellent food on offer around the central courtyard of the Arvamus Festival grounds. Tallinn’s Kohvik Inspiratsioon, a vegetarian cafe of some repute, brought its cooks and service staff to Arvamus, and I ordered the veggie burger, purely for reasons of taste-testing, you understand.

The wholemeal bread used to wrap the burger was crusty and sturdy, even with a sizeable cut of cucumber and tomato inside. The burger was of course healthy, especially as it did not contain any dressing – the burger being made from a very tangy beetroot mix that more than provided enough flavour.

Inspiratsioon did indeed provide inspiration to continue my hunting of great events, though it still left an old-fashioned carnivore like me craving a juicy hamburger. It must be said, though, that the veggie burger, made with love, represents great value at €4.

5. Much More than Just Politics

Someone said before the festival, explaining why he would not be attending, “it’s just politics, though, isn’t it?” Er, no. The hundreds of events and talks cover everything from Estonian food, to why Estonia does not yet have an internationally-recognised crime novelist.

The search for the Estonian export star who could be a new Steig Larsson continues, but at the stage sponsored by Rahva Raamat, keen readers were given the chance to recline in the most comfortable bean-bags you can imagine, and listen to talented authors such as Indrek Hargla discuss their work, and the future of Estonian literature.

Meanwhile, students from Estonian high schools all over the country taking part in the Our New Media Generation project in association with the Ministry of Education and the website etnoweb.ee were given the chance to go out, gain some experience and confidence, and do some reporting from the festival.

The post Five Reasons Why the Arvamus Festival is Awesome appeared first on Arvamusfestival 2016.

The festival has been bustling since the early hours of the morning, when the finishing touches were put to the 40 themed discussion areas to make them as colourful and conducive to great thoughts and discussions as possible. By now, the hills of Vallimägi have become alive with participants, big and small, local and from other parts of Estonia, human and four-legged. Thoughts have been echoing in the valleys of Paide since the first, packed discussion at the Oru area began at 11:00 which discussed the ‘state of the country’ and broadcast live on Radio 2. A full day of discussions, from the morals of AI to immigration in Estonia, has commenced.

The Festival of Opinion Culture is also a place where the appearance of the festival follows from the innovative and creative spirit of the discussions themselves. You can ponder about education while sitting on haystack seats at the Village of Community Schools area, or let yourself be enveloped under the cool shade of the honey-comb roof at the Urban Space area, made completely out of fully recycled cardboard boxes. Or, if you need to take a moment to let the thoughts from your latest discussion whirl around in your mind, there are crazy quilts and hammocks dotted around the festival, always ready to welcome you. As the best thoughts come with good food, the festival’s café area is full of delicious smells and flavours, from gourmet burgers to rhubarb ice cream and lemonade.

Let thoughts, opinions and ideas fly for the next two days in all possible directions, into your minds, hearts and future ventures. Let the festival begin!

Photo credit: Sven Tupits (Fotogeen.com)

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The digital education area will feature several thought-provoking discussion topics: e.g. finding out whether the Estonian education system has been hit by digital poisoning. Ene Koitla from the Information Technology Foundation for Education (HITSA) will moderate the discussion on what are the fears and expectations concerning the inclusion of digital equipment in education. The discussion groups will be lead by recognised experts in the field, including Peeter Marvet, teacher Kalle Lina from Rakvere Secondary School, Airi Aavik from Virtsu school and local municipality official Jarno Laur.

The area will also include students who will discuss the possible use and benefits of several digital appliances in school and extracurricular life. The group together with students from Väätsa school and their teacher Anneli Tumanski will attempt to find opportunities for including parents and companies in this as well. The digital education discussions will end with a panel discussion on the future of the digitally poisoned – how to learn today so as not to lose one’s job to a computer tomorrow?

“We shall involve employers in the discussions as well to determine the profile of a digitally competent employee and what benefits may the employee reap from this,” explained Koitla. The panel discussion will also attempt to find out how severely may a digitally incompetent employee curb a company’s development. The session will feature presentations by Skype’s HR manager Merle Liisu Lindma, State Information System’s senior architect Priit Raspel, Kristjan Rebane from the Tallinn Technical University and Kaarel Kotkas from Jalax. The panel will be moderated by journalist Henrik Roonemaa.

The digital education area intends to engage experts from every field of life in the discussions – parents, school masters, teachers, students and employers. Koitla believes that since digital skills are necessary in every walk of life, the digital education area will interest people of all age groups and work profiles.

The digital education area is jointly organised by the Information Technology Foundation for Education, the Teachers Association and several IT experts. Students themselves will also be contributing towards the discussions and the topics.

The exact program is available here: arvamusfestival.ee/kava.

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“It’s a pretty nifty idea – to look back on how the festival was organised previously and to encapsulate some of the festival’s energy in an album. The final push for the album came from Tartu university’s comms students,” said the album’s editor-in-chief Andrus Raudsep.

Besides linking the idea and action, the album serves as a trip down memory lane for those who have been to the festival in previous years. “You don’t always fully appreciate the outsider’s perspective on things when you’re smack in the middle of the action. The album gives the opportunity to glance at 2014’s festival at a standstill and from different perspectives. A static image gives a better understanding of what could be done differently and what may happen next,” explained Raudsep.

These pictures may look like random snapshots of someone’s summer, but the objective was to get still photos of action. “We can see what is happening at the moment while also understanding what happened before and what will happen next.” There’s plenty for everyone to explore, as there are explanatory notes to the visual solutions.

Looking back on last year’s festival, the album should inspire people to participate in differently structured discussions and engage in debates. “When all participants converse in the spirit of good discussion culture, then the discussions go deeper as well. Hopefully the album as a new discussion format will support this as well,” said Raudsep.

The album was born as the result of one tiny idea in the heads of the organising team and the cooperative effort of Tartu university’s students, offering 58 pages of fun: arvamusfestival.ee/arvamusfestivali-album/

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The Opinion Culture Festival’s website now features the full festival program – 36 discussion areas will host approximately 200 debates and the festival will also expand to Paide’s central square for a vivid entertainment program.

The festival will be held in Paide on August 14th and 15th to discuss topics ranging from self-driving technology to alcohol consumption culture. Issues as diverse as education, values, health, science, economy and refugees will be discussed among others. The program will mainly comprise of nearly 200 debates, relying on the input of 100 different organisations.

“This year’s program has been compiled by many organisations and people, holding discussions on topics that they believe are relevant in Estonia today and invite everyone to think and speak along. The festival of opinion culture 2015 is truly an exercise in cooperation,” said the festival’s discussion areas program leader Maiu Uus. “The program is diverse enough to excite everyone and hopefully will engage people in lively discussions.”

The festival area will expand from Paide’s Vallimägi Hill to the central square and Tallinn street, where an exciting entertainment program by the Estonian Academy of Arts and other organisations will be on offer.

The Opinion Culture Festival in Paide is not the only one of its kind, similar meetings between people interested in the future of their respective countries are happening all across Scandinavia. This year Latvia hosted its first opinion culture festival in Cesis, using best practices gained from the festival in Paide. The Estonian opinion culture festival was inspired by the Almedalen week, which has been regularly happening in Sweden for over half a century. The hosts of festivals in different countries liaise with each other to exchange ideas, knowledge and experience to achieve the best possible result.

It is possible to support the festival through a kickstarter crowdfunding campaign until August 1st to ensure an even cosier event. Every kickstarter donation shall contribute towards the construction of the festival area, the building of a reusable rain shelter or the well-being of the hundreds of volunteers during the festival.

Just as in Scandinavia, the festival in Estonia is organised jointly with the local municipality and residents – the festival’s biggest supporters include the city of Paide, Järva county municipalities and local businesses alongside local residents, many of whom participate as volunteers. Another major supporter is the Open Estonia Foundation. Other sponsors include the Civil Society Foundation, the European Commission’s Estonian representation, the European Parliament’s information bureau in Estonia and several corporations, including Eesti Energia, Eesti Telekom, Nortal, Swedbank and UP Invest.

The kickstarter campaign is hosted by Hooandja: hooandja.ee/projekt/arvamusfestival-2015

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The European Festivals Association has for the first time issued a special EFFE Label to certify the best festivals in Europe, the Festival of Opinion Culture is one of 24 festivals to win the title in Estonia. EFFE (Europe for Festivals, Festivals for Europe) is an international EFA platform for uniting festivals dedicated to the arts, communities and European values.

Hundreds of festivals across Europe submitted their applications to receive the EFFE Label, the applications were reviewed by EFA’s local experts and an international jury. EFFE Label carries three criteria: artistic dedication, community involvement and the festival’s international and global focus.

EFFE’s international jury chairman Vincent Baudriller said that the certified festivals represent various fields of culture and offer a multitude of activities to audiences. “These festivals have considerable positive influence on the local community and also on an international scale.” Baudrill added that the quality label helps these European festivals to extend their reach even further and involve even larger audiences by building new bridges in the festival community.

Festival of Opinion Culture’s head of marketing Anu Melioranski is pleased that the festival has been named as one of the best in Europe, especially considering that the Opinion Culture Festival had only happened twice prior to submitting the application.
“We submitted Opinion Culture Festival’s candidacy because we believe that we are organising a truly unique festival in Estonia, by inviting people to express their opinions through other genres as well – e.g. poetry, theatre, music,” said Melioranski. “The recognition is even greater when considering that the jury consisted of local and international culture experts. This positive attention and acknowledgment inspire us to organise the third exciting verbal rock festival. The EFFE Label is a badge of quality that that every single volunteer of the Opinion Culture Festival has contributed to.”

The EFFE Label was awarded in total to 761 festivals from 31 countries. Other festivals to receive the title in Estonia included e.g. PÖFF, Viljandi Folk, Jazzkaar, Juu Jääb, Viru Folk, Tallinn Treff and Tartu Student Days.

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Hundreds of people gathered today in Narva to discuss issues as diverse as the role of social criticism in music to Russian schools in Estonia and the relevance of civil activity – this was the first pre-festival that acts as a prequel to the real Festival of Opinion Culture to be held in Paide in August.

“We’re pleased that the pre-festival event was eventful and successful, as was evident in the local community’s serious interest to participate in discussions about the region’s future. We remain hopeful that the discussions that got started here will continue in Paide in August,” said the festival’s theme areas leader Maiu Uus.

The festival’s two areas hosted six different and inspirational discussions. There were talks of Russia’s current affairs, of expectations to ETV’s new Russian-language TV-channel, of social responsibility and of Russian schools in Estonia. The speakers included both prominent culture and opinion leaders but also local activists and townsfolk.

The closing session was titled “Searching for Estonia’s future story”, where people were contemplating about what they value in Estonia and what should Estonia of the future stand for.

“The atmosphere at all discussions was very cooperative and the participants were willing to listen to each other and be creative with solutions. It was quite clear that the people in Eastern Virumaa care about the future of Estonia,” said Marten Lauri, who is the initiator of the gathering of future stories.

The program of the pre-festival in Narva was collaborated between the people in Eastern Virumaa, the festival’s organisers and the Open Estonia Foundation. The Festival of Opinion Culture will be held in Paide on August 14th and 15th. This year’s brainstorming event produced 250 ideas that will be divided between 30 different areas at the festival. Topics related to security and values will be given their own areas. The festival is organised by a number of different organisations and people from across Estonia.

Photos of Narva: flickr.com/photos/arvamusfestival/sets/72157653295268378

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The Festival of Opinion Culture aims to bring together people and organisations from across Estonia and to give them the opportunity to talk about issues, which are relevant to Estonia, but are usually confined to closed board rooms. The festival team has compiled some good practices guidelines and expects the audience to follow them in order to make the the festival a comfortable platform for exchanging ideas to everyone.

The festival’s content team leader Margo Loor, what are the festival’s good practices guidelines?

The initiators of the festival agreed to seven key principles in the first year and these form the foundation for the festival, or the guidelines of good practices. This section is comparable to the general preamble of the constitution, listing the great values and principles that the organisers follow when making operative decisions.
It’s important to us that the people respect both other participants and their time and are free of prejudice, by reacting to the other person’s thoughts and not the persona. We want the discussion participants to focus on solutions rather than just criticism. And all in all – we just want people to have the conversation, not bullet points. So we strongly advise to avoid using PowerPoint.

Why does the festival need such guidelines?

Because the organising team may change, preliminary verbal agreements may be forgotten. The team may face new unforeseen challenges when organising the next festival. The guidelines are there to help them get back on the right track without having to dismantle the festival and the meaning of life down to the bare atoms. One just needs to glance at the guidelines and remind themselves of the whole DNA of the event.

If I’m coming to the festival and wish to follow these guidelines, then what particularly should I be paying attention to? How should I behave?

The good practices guidelines will be up at the festival site, on the program and on the website. It only takes a minute to read them, but we could spend hours discussing each item separately. There’ll be no need for memorising the points exactly. It’s all common sense really – listening is just as important as talking. A great discussion is born out of mutual respect. The most valued of discussions is a well-argumented exchange of opinions, where parties present logical and factual evidence as proof. These are concepts that reasonable and civilised people follow in good discussions anyway.
One point in the guidelines is still a delicate one in Estonia, as people in the public eye often tend to violate this rule – that we should react to the thoughts presented to us and not attack the person delivering these thoughts. So if a festival participant wishes to follow these guidelines, then let’s leave out all personal remarks and verbal abuse at the festival. This will help us all to create a cultured and solution-seeking atmosphere, where everyone has the right to participate in discussions with their ideas and opinions.

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The crowd-funding campaign hopes to cover the lodging and catering costs of more than 150 volunteers during the festival. Some of the funds will be spent on making Vallimägi Hill cosier by offering more seating and covered areas. This should all contribute towards making the festival area accommodating for many inclusive discussion formats and also weatherproof.

“We shall commission as many works as possible from the locals – from the makers of quilts, festival area builders and others,” said the festival’s head of marketing Anu Melioranski. “We do have a dream – to build a weatherproof shelter that would fit in the picturesque natural surroundings of the Hill together with the students and professors and engineers of the Estonian Academy of Arts.”

The reusable shelter would be modern, easy to assemble and dismantle and would offer protection from the wind and the rain despite its airiness and open layout,” added Melioranski.

However, it is possible that the ambitious and labour-intensive shelter project may not be completed prior to the festival in 2016.

As is customary, the festival presents small tokens of appreciation to all kickstarters. The presents include the festival’s ear-rings, Stella Soomlais’ leather wristbands made exclusively for the festival, student enterprise Sikikikilips’ bow-ties and the festival’s T-shirts designed by Reet Aus.

The festival’s supporters include the Open Estonia Foundation, the city of Paide, the local municipalities of Järvamaa, the National Foundation of Civil Society, Swedbank and Eesti Energia. The Festival of Opinion Culture will be held on August 14th and 15th at the Vallimägi Hill in Paide. The Festival will provide ample opportunities for engaging in inspiring discussions and debates, for finding supporters for one’s ideas and projects and for seeking new and exciting connections.

“The festival is organised and supported by those who believe that the Festival of Opinion Culture is a possibility to do something themselves to make life in Estonia better,” said Melioranski. The crowd-funding campaign will remain active unti July 7th at the following link – hooandja.ee/projekt/arvamusfestival-2015.

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